One year later...forthcoming work news

To say that I’ve been a bit amiss in updating this blog would be to put it mildly…

So, what’s new? Well, I’ve bitten the bullet and updated the entire website with new work - and there are a few productions that I’ll soon be shooting and so I thought I’d paste up details. So, in no particular order…

Beyond excited to have been asked to shoot the world premiere of the new Tom Stoppard show. It’s directed by Patrick Marber, who I last shot for on the Pinter at the Pinter season.

Beyond excited to have been asked to shoot the world premiere of the new Tom Stoppard show. It’s directed by Patrick Marber, who I last shot for on the Pinter at the Pinter season.

Love shooting Jamie Lloyd shows - and this one is going to something special. Will be shooting this as part of his new Jamie Lloyd Company season.

Love shooting Jamie Lloyd shows - and this one is going to something special. Will be shooting this as part of his new Jamie Lloyd Company season.

Back to the Donmar to shoot this for Ola Ince, who I last worked with on The Convert at the Young Vic. Last shot Branden Jacobs-Jenkins show Gloria - cracking writer.

Back to the Donmar to shoot this for Ola Ince, who I last worked with on The Convert at the Young Vic. Last shot Branden Jacobs-Jenkins show Gloria - cracking writer.

First time shooting at the Old Vic on this intriguing project, for director John Crowley and designer Tom Scutt.

First time shooting at the Old Vic on this intriguing project, for director John Crowley and designer Tom Scutt.

Last shot this at the National for director Bijan Sheibani, and now it returns for a UK tour. A return bout.

Last shot this at the National for director Bijan Sheibani, and now it returns for a UK tour. A return bout.

Always love shooting at the Young Vic and am looking forward to shooting for Yael Farber again (last time on Knives in Hens)

Always love shooting at the Young Vic and am looking forward to shooting for Yael Farber again (last time on Knives in Hens)

Will be shooting both parts of this terrific epic for Melly Still at the National Theatre later this year. Another return bout - after having covered a version of it at the Rose Theatre, Kingston.

Will be shooting both parts of this terrific epic for Melly Still at the National Theatre later this year. Another return bout - after having covered a version of it at the Rose Theatre, Kingston.

Have shot for Simon a good few times, last gig was on Killer Joe- and am looking forward to this one at ‘the Traf’

Have shot for Simon a good few times, last gig was on Killer Joe- and am looking forward to this one at ‘the Traf’

One of my favourite theatres, it’ll be great to return for this show, of which to be honest, I know very little!

One of my favourite theatres, it’ll be great to return for this show, of which to be honest, I know very little!

Last worked with director Michael Fentiman on his great production of The Importance of Being Earnest. It’s a not-so traditional pants this time round, I believe.

Last worked with director Michael Fentiman on his great production of The Importance of Being Earnest. It’s a not-so traditional pants this time round, I believe.

Particularly excited to shoot this one - it’s the inaugural production at a new West End theatre, The Boulevard Theatre. This one’s for director Bill Buckhurst

Particularly excited to shoot this one - it’s the inaugural production at a new West End theatre, The Boulevard Theatre. This one’s for director Bill Buckhurst